Despite what my high school guidance counselor says, I'd
make a terrible hitman. I'm fine with the whole killing thing; I just
don't seem to have the patience to keep the killing to a minimum
acceptable level. If I can save three minutes by killing a guy, I'll
probably do it. Such is the verdict at least of a week's worth of
playing Eidos' Hitman 2, the follow up to one of the better-conceived games of 2000.
But while the original had some really interesting ideas, the actual
implementation of those ideas fell short in a few key areas.
Thankfully, the sequel fixes virtually everything that was wrong with
the first game and preserves everything that we liked. Better still, the
game doesn't take the fact that I'm an impatient hitman seriously
enough that it keeps me from enjoying myself.
For those of you who are just joining us, Hitman 2 puts you
in the role of Agent 47, an assassin for hire, and sends you all over
the world performing murders for hire. But things don't start like that.
The hitman, codenamed 47, has had a change of heart and repented from
his evil ways and is now living in a monastery. Without giving it away,
circumstances call him back in to action.
Soon he's in the midst of a dangerous world where he himself is
often the most dangerous element. Hired to kill for money, he travels to
various locations around the globe performing a series of seemingly
unconnected hits that gradually come together to form a larger picture.
Along the way, you can take many different approaches to your contracts.
As long as the guy you're supposed to kill winds up dead, no one's in a
position to complain.
To a large extent, that's the real beauty of Hitman 2. While Thief is a great game, the fact that you have to use stealth gives it a limitation (albeit a compelling one) that Hitman 2 doesn't have. Instead, Hitman 2
lets you play either blatantly excessive or artfully efficient in terms
of violence and confrontation. Sure, most missions offer substantial
rewards for the inconvenience inherent in sneaking around, but few of
them categorically restrict the player to this approach. Given the
practical benefits of going in with guns blazing, how you progress
through a level is more a matter of taste than a matter of mission
scripting.
That simply philosophy is apparent at all levels -- from the game's
core concept to the execution of the smallest tasks. Since Dan played a
great deal of the game for our previews, we've been sharing a lot of our
experiences with each other. In nearly every case, I'm amazed that
we've both come up with drastically different yet equally effective
solutions to the same missions. Still more impressive is that he and I
can have vastly different body counts for successful missions. In some
cases, one or the other of us was able to focus on a much less bloody
approach than the other.
Like I said, most of my missions were a little too bloody, and
there's a greater satisfaction to be found in infiltrating a level,
avoiding all the guards, killing your lone target and then getting out
again without anyone being the wiser. The game ranks your performance
based on the amount of disruption you cause in a given mission. The
efficient players will be labeled "stealth assassins," the more reckless
ones are likely to be termed "mass murderers." Realistically, you'll
wind up in between most of the time, coming across as a simple "hatchet
man" or "slayer."
During the course of the game, you'll have to take on a number of
tasks -- that is to say, you'll have to take on the same task (killing a
dude) in a number of different circumstances and settings. You'll have
to break in to a penthouse and make your hit look like a burglary. Or
you'll have to ice a general who's interrogating a prisoner deep in a
military basement. Or place a transmitter on a guy, then kill him so you can track his corpse to the guy you really want to kill, his father.
All of these missions are delivered to you via a laptop in your
shed. One would assume that a state-of-the-art hitman would have access
to better intelligence than your guy seems to. The large streets maps
that you get don't show things like doors or windows or even how many
floors a given building has. You get this info for some of the key
structures but there are more than a few instances where looking at the
map gives you almost no indication of what the level is really like.
As a result, some of the more difficult missions require you to go
in and screw things up once or twice before you get a sense of how the
various pieces of the puzzle add up to a successful mission. There are
also a number of items and triggers that are hard to figure out exactly.
Occasionally the game will give you an item (like a cell phone and a
pager) without presenting a clear circumstance for its use. I really
like the free nature of this approach and the improvisation required to
pull it off is kind of fun. Still, it seems like a professional hitman
would be a little better prepared before going off on a hit.
There are also some frustrating ambiguities in the mission
briefings. In an early mission, you're told that you can pick up your
equipment "near the pier." What this actually means is "complete across
the street from the pier behind a dumpster." It seems amateurish that
your employers aren't clearer about these things. In any case, this is a
game that tests how resourceful you are and how quickly you can adapt
to changes in the "plan."
But even if you figure out a particular path through a level, there
are bound to be plenty of others that you didn't try or perhaps weren't
even aware of. In one mission where you have to assassinate two men
meeting in a park, I fixed it by planting a bomb on one of the guy's
cars, and then climbed up a radio tower to snipe the other one. When his
friend went down, the other guy raced to his car and boom! Dan, on the
other hand, after placing the bomb on the first lime merely waited until
the other limo driver went down an alley to take a leak. Dan snuck up
and strangled him, switched his clothes and walked back to plant the
bomb on the limo himself.
One big (and entirely welcome) change is the addition of a save
system. Based on the difficultly level you've chosen, you'll be allotted
a certain number of saves for each mission. At the end of the mission,
your success rating is dependent on the number of saves you've used. The
game also rewards more stealthy players with bonus saves for completing
particular tasks without resorting to some sort of bloodbath. Being
sneaky also rewards you with extra equipment for subsequent missions.
| SYSTEM REQUIREMENTS |
| MINIMUM PC REQUIREMENTS |
| Windows 98/ME/XP |
| MINIMUM |
| Pentium III 450MHz Processor |
| 128MB RAM |
| DirectX compatible Video Card |
| DirectX compatible Sound card |
| 16X CD-ROm Drive |
| 800MB Hard Disk Space |
| DirectX 8.1 |
| Keyboard |
| Mouse |
| RECOMMENDED |
| Pentium III 1GHz processor |
| 256MB RAM |
| 32MB DirectX compatible Video Card |
| EAX Advanced HD enabled Sound Card |
| DirectX 8.1 |
How To Download
Download and extract with WINRAR
Extracting Password= www.arslanshan.blogspot.com
Then enter the word below and click the authorize button to download
Download All Parts
And enjoy the game
Monday, February 10, 2014
A
It has been ten years since the Raccoon City
incident and the President of the United States has decided to reveal
the truth behind what took place in the belief that it will curb the
current resurgence in bioterrorist activity. Due to be by the
President's side is his
personal friend and Raccoon City survivor, Leon S. Kennedy, but when the
venue suffers a bioterrorist attack, Leon is forced to face a President
transformed beyond recognition and make his hardest ever decision. At
the same time, Bioterrorism Security Assessment
Alliance member Chris Redfield arrives in China, itself under threat of
a bioterrorist attack. With no country safe from these attacks and the
ensuing outbreaks, the entire world's population is united by a common
fear that there is no hope left.
RSS Feed
Twitter
